Katt Williams & GQ: The Glamorous Relationship between Media, Occultism and Fashion.

A few people have asked me what I think about the new Katt Williams cover story article in GQ Magazine where he is featured looking like a stonecold warlock.

The headline reads: “Katt Williams: The Man Who Opened the Portal.” In this social media age, the word “Portal” has immediate occult connotations for those inclined to look beyond surface appearances. Any reference to portals invites curious theories about magnanimous particle accelerators, stoic interdimensional entities and undetectable societies shrouded in secrecy.

Katt is also shown wearing other outfits that make him appear to be a magical character straight out of the Western Occult tradition. Think Eshu or Anansi the Spider with a tray of tea and crumpets at tableside.

Some are looking into these photos as some indication that the comedian is a member of a mystical order working on the path of righteousness or evil. There is no clear consensus among impassioned speculators in alternative media.

As a former journalist and entertainment magazine editor-in-chief who has organized photo shoots between professional photographers and celebrity subjects for cover story articles, I wouldn’t read too much into the symbolism on display with GQ.

When print journalism was taken more seriously as a profession it was common for editors and photographers to have a knowledge base that was an inch thick, but several miles wide. This means that the writers, photographers, and editors, at the very minimum, knew a little bit about a lot of things. Sometimes that included knowledge about medieval European witches who gathered at the crossroads of the forrest to worship a mysterious Mandingo pornstar with a black broomstick named Al-Aswad.

Word Sorcery is real, and the media are its most frequent practitioners. The late great Malcolm X—who was himself an editor for the Nation of Islam’s newspaper Muhammad Speaks—informs us that:

“The media’s the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that’s power. Because they control the minds of the masses. The press is so powerful in its image-making role, it can make the criminal look like he’s a the victim and make the victim look like he’s the criminal.”

According to ancient Hebrew commentaries, the “Kush Dim” (Kushites) were masterful magicians and sorcerers of the old world.

The ancient kingdom known as Media, which was a part of modern day Iran, was home to the “Magi” who were the attendant priests of the kingdom’s royal court. The esoteric arts of the “Magi” were later called “Magic” by english speakers. The general inhabitants of Media were known as Medes. They were in part, descendants of Kushites who had migrated into ancient Persia (which is now modern Iran).

If an Ethiopian or Kushite woman who looks like Diana Ross has sex with a white man of Eastern European or Turkic stock you might get a baby that grows up to look like Tracee Ellis Ross, who could actually pass for a modern Iranian woman based on her distinct facial features.

Over time, Kushites intermixed with Indo- Europeans who are the predecessors of today’s Iranians, Armenians, and Turks. The Kurdish people of Iran are ancestrally related to the Medes of ancient Media.

The Persians, Babylonians, and Sumerians all share similar visual motifs in their religious temple art and architecture because they all grew from the same cultural soil of Kush. The Kushites are the plug for the stellar mysticism and theology of that region of the globe.

You can begin to get some greater insight on this trans ethnic relationship between ancient people by reading Chaldean Magic: It’s Origin and Development by Francois Lenormant (1877). The word “Chaldean” is a bullshit word that deceptive scholars use to mask the identities of Kushites in the “Middle East.” Not every scholar who uses the term has malicious intention though.

How ironic is it that many of the Kurds of Iran worship the Peacock Angel, Malek Taus, and the peacock is the totem used by NBC, one of the most recognized purveyors of MEDIA in the United States. Peacocks like to be seen, and the media thrives on the currency of attention, hence the suspicious Katt Williams photoshoot by GQ that has folks paying more attention to a legacy brand publication that is irrelevant to most youth who drive the entertainment economy.

The peacock, with its vibrant outstretched plumage, is a totemic representation of your personal psychic field that extends beyond your visible body.

The “eyes” on its all-encompassing feathers allude to that intuitive feeling you have that someone, or something, is watching you before you even look up to see them staring at you.

You feel the weight of a secret watcher’s psychic field, especially if their eyes are penetrating yours with curiosity, lust, disgust, or admiration.

A person with a strong magnetic field grabs your attention and peaks your interest just like a peacock does when it spreads its Awe-inspiring halo of feathers around itself. You know that you’re not looking at an Average Joe or Josephine. You can’t help but look at them!

VISUAL streaming media outlets that use the peacock as a corporate totem or name are extremely clever in applying metaphysical knowledge for establishing brand identity in the name of succesful commerce.

Such a media outlet knows when you’re watching them because they posses the outstretched feathers with the eyes that see what is in the light and the dark.

Editors at legacy publications peep social trends. They know that if Katt appears in their magazine wearing any kind of occult regalia, streamers on TikTok, Instagram and YouTube are going to give the magazine free publicity by speculating that Katt is somehow a member of the Illuminati because he’s wearing unusual clothes that people don’t have a clear cultural reference for.

If I was editor-in-chief of GQ Magazine I may have pitched that Katt dress as the Grand Wizard of the Klu Klux Klan based on all the Negroes he roasted and lynched to open 2024.

GQ—which was originally known as Apparel Arts when it was founded 93 years ago—upholds the modern fashion industry, which is powered by the art of enchantment and psychological subversion through alluring visuals. High fashion is a tool of WARFARE. You conquer a room as soon as you walk into it through the viciousness of your intentionally curated magnetic field, that modern humans call luxury designer clothing.

The goddess of beauty is also the goddess of war. When one is magnetized to the primal force of attraction that is emanating from the desired object of their conquest, then Victory is assured on all planes of reality.

Too many people online are watching Katt Williams for lofty occult insights. If anything, they need to be studying the media which has orchestrated his presentation, and that of his celebrity peers. The media is where the real magic resides once all of the laughing stops.