Sinners, Vampires & Transhumanism in the Fall of the Musically Inclined Dragon

The Ryan Coogler film Sinners is excellent. This is not a movie decoding, but rather a historical and folkloric backdrop to a compelling cinema experience.

First off, if you liked my sold out book Da Homey in Modern Dahomey (DHIMD), go see the Ryan Coogler film, Sinners. It is excellent. Every subscriber to The Indivisible College should see it. So much of what I’ve already written about over the last decade is in the film.

Shout out to my subscriber Raekwon Rose who recommended that I watch it.

In the “Waves of Atlantis” and “The Mystery at the Magic Market” chapters of DHIMD I specifically talked about the wave function of particle physics, simultaneous overlapping timelines, ancestor reverence, and the paradigm shifting role of Black music for not only Black people, but the entire world at large.

I highly recommend that you reread those chapters AFTER you watch Sinners in a movie theater. You have to see it in a theater. It’s one of THOSE movies.

I would like to now take this time to give you a very basic overview of vampire history and folklore. Look no further than Europe.

The refined image of the dark, mysterious, and sexually seductive vampire is largely based on the 15^th century Romanian ruler Vlad Dracula, also known as Vlad the Impaler. Vlad’s father was Vlad Dracul. In Romania “Dracul” means “Dragon.” Vlad senior was a member of The Order of the Dragon, which was a secret society based on chivalry.

ALL European secret societies based on chivalry have their origins in North African Sufi schools that shaped medieval Europe’s troubadour tradition, where poetic singers were known to seduce women with their tongues and the captivating use of music, not unlike what Sam Cooke, Marvin Gaye, R Kelly or even the great blues singers in the southern regions of the United States did.

The kora or ngoni of the ancient Sahel region of West Africa, became the lute of medieval Europe, which became the guitar in the Mississippi Delta of 1932. However the same hand plucked all of those strings to perfection. As wrestling legend Razor Ramon might say before throwing his toothpick, “Connect the dots, mang!”

When young Vlad junior took over Wallachia for his dad, who was in the secret order of the Dragon, he was renamed Vlad Dracula. The word “Dracula” means “Son of the Dragon.” What dragon? The one who was cast out of heaven but still hasn’t officially landed on earth yet. The Moorish custodians of the old chivalric orders were the guardians of the “Holy Grail” also known as the Jewel (The Lapis Exilis) of the fallen angel Lucifer and his rogue followers.

In Christian mythology Lucifer is—among many things—a master manipulator of wave form harmonics. He is the musician par excellence. He fuses the past, present and future into a singular ring of audible energy where everyone can dance and shout. Who has dominated the realm of music for as long as humanity can remember itself? It is the Black Man and Woman. Lucifer is androgynous.

The undead who cannot reunite with their ancestors are internally divided people. The only way that they know how to achieve inner synthesis is by enslaving heavenly musicians into earthbound record label contracts so that they can trap the light of eternity inside of the mental prism prison of permanent particle-wave refraction.

The newly risen sun can strike down a vampire, but the vocal invitation from your mouth can give them life. This is the meaning behind the reoccurring appearance of men with gold teeth in the film. Gold is a localized representation of the sun. The power to destroy is the power to build.

Vampires come out when the sun is down and the moon is vibrantly visible. In ancient Akkad the divinity of the moon was known as “Sin.” A “SINNER” is an unabashed creature of the night who does not occupy the same space as the risen sun.

We should all look at the Black American Juke Joint in the same way that we would look at an ancient Mayan, Kemetic, Sumerian or East Indian Earth Lodge erroneously called “Mystery Schools.” They were only mysteries to the Vampires who were not allowed inside the temples. I literally said this in The Treasures of Darkness when I spoke on Western Occultism as an inferior conceptualization of indigenous spiritual science and technology.

Black King on heraldic shield flanked by dragons from Bavaria, Germany 1316

Vlad Dracula

Vlad Dracula the Impaler

In pre-Christian, ancient Ireland these black “fallen angels” were known as the Tuatha de Dannan or the Tuatha de Anu. The Phoenicians who colonized ancient Ireland were no strangers to Anu and many modern Jamaicans are no strangers to the old Ireland.

I could say a lot more, but you’re going to have to wait for my next book which is going to clarify a lot of shit once and for all. What I will say is that a heavenly bloodline was infected with a blood disease, but by who? Why? Where? When? and How? Some will read this article and try to serve you my dish before I can finish cooking it, but I promise you they don’t have the secret sauce. They’re just guessing. I look forward to serving you my story with lots of hot pepper with an array of spices.

Although the vampire archetype that we know today comes directly out of Central and Eastern Europe, it was first popularized by an Irishman by the name of Bram Stoker. When you see the Sinners film with this in mind, you will understand why Irish culture received such a memorable feature in the film even though the Vampire is not a uniquely Irish conceptualization. Through his book, Dracula, an Irishman named Bram brought the vampire to our doorsteps to knock on the door of our collective imagination.

The cover to Bram Stoker’s 1897 book, Dracula.

Another critical work of art that brought the vampire into further pop culture prominence was the 1922 horror film classic Nosferatu which is not to be confused with the 2024 horror film of the same name, which I’m sure has some keys relevant to this conversation.

The word “Nosferatu” is generally understood to be the Romanian word for “Vampire.” However the name seems to have a cognate in the ancient Greek “nosophoros” which means “disease-bearing.” Nosferatu represents the embodiment of a disease or societal cancer. He can only be killed by driving a wooden steak through his heart. Wood is extracted from nature which strongly implies that Nosferatu is an anti-organic entity repelled by all things original and nature based.

According to Goth and Eastern European folklore, when a vampire’s skin is exposed to the sun they break out into a severe case of blisters. If they stay in the sun then they will die.

As we make the transition from myth and history to science and technology, you may want to know that there is a real life blood disease that is very rare within the human population and known colloquially in the medical world as the “Vampire Disease.” It is formally called “Porphyria.” Symptoms may include skin blisters upon being exposed to the sun or even drinking alcoholic beverages in excess.

Some have speculated that the vampire’s consumption of blood in European mythology is a substitute for the alcohol that may prove to be their undoing. I say that severe alcoholism is a form of vampirism in and of itself. The more that the alcoholic drinks, the more they rob the people who love them of life.

The vampire is also a devout transhumanist, because they transition themselves and other humans around them into unnatural entities that their Creator did not intend for them to be. People who have porphyria generally have an aversion to garlic because its high sulfur content can make their skin erupt into painful blisters. This blood disease is also associated with mental instability.

The people who suffer from porphyria the most are from the Netherlands, France, Germany, Sweden, Norway, and the white Afrikaners of South Africa. This South African contingent would include Elon Musk’s people. Elon, a transhumanist, is as anti-nature and anti-organic as they come. President Donald Trump INVITED Musk into the White House picture to run the newly created Department of Government Efficiency. Someone should check on Trump’s neck.

Ray Kurzweil, Elon Musk and a few others from the European countries that I listed are the driving force behind the Transhumanist movement where every man, woman, and child is inextricably linked to man-made computers and data processing systems.

The day after seeing the film I saw large groups of people in a Brooklyn, New York neighborhood I was walking through intensely immersed in their cell phones in a way that looked sick and unreal. It was like a Black Mirror Bizarro World. Mind you this was going on for multiple blocks I walked through.

I couldn’t take it anymore, and asked another tribe I ran into why they were all obsessed with their phones in such beautiful weather and beautiful natural surroundings. The group informed me that they were playing Pokémon. They were all adults between the ages of 20 to 60 years of age. Like the vampires in the Sinners movie, these Pokemon enthusiasts were so singular minded and thirsty for what they were searching for.

Social commentators often talk about transhumanism as if it’s something to come in the future, but how true is that if humans are having a hard time detaching from their devices today? The cell phone is like another human appendage that we all have at this point. Do you ever leave your home without your cell phone? I do not unless I’m making a quick run to the store.

The age of the Transhumanist Vampire is already here. I hope that we get right before the sun of truth rises on us all. Peace and Resurrection to you.